The tall willows, rocky banks, and thick meadows that stretch along the rolling Brandywine provided a sonic backdrop for a sound piece on the region’s cultural and natural history, composed by the artist and broadcast on provided radios along the trip. Naturalists from the Brandywine Conservancy provided commentary on the flora, fauna, and history of the region along the way.

The artist’s 12’ punt, a small boat constructed with the public over the course of his residency at the Brandywine Museum, accompanied the trip.

Book designed in collaboration with Partner & Partners, map designed in collaboration with Brandywine Conservancy’s Michele Gandy.

Dawn School is a participatory art work that takes the form of itinerant classroom performances planned for a 10-year duration (2010-2020). It engages with contemporary and historical ideas of nature, time, labor, ecology, media, and the depletion of resources through the extractive processes of capitalism.

The basic instructions for the piece are always the same: “Wake before dawn. Take a walk. Watch the day emerge. Discuss.”

Prior Dawn Schools have investigated social and labor relationships in the industrial infrastructure around Greenpoint, Brooklyn, NY; the effects of closing a Ford plant in St. Paul, Minnesota; and signs of de-gentrification in the East Village.  In the Summer 2011, Dawn School was held at the Massachusetts Museum of Contemporary Art (MASSMoCA) at North Adams, MA, at the invitation of Bureau for Open Culture. This work included a visit to Specialty Minerals, a quarry and mineral processing facility in neighboring Adams, MA. 

The most recent iteration—held as part of the exhibition Con•Tin•U•Ums curated by Patrick Jaojoco at the former Pfizer pharmaceutical factory in Brooklyn—touched on the issues of fatigue, exhaustion, overproduction and over-medication in contemporary life.  The assembled group of 10 or so participants met at the former Pfizer plant at 4:45 am, and proceeded to take a silent, meditative “sound walk” around the building.  We tuned in to the sounds of the building itself—a humming machine—and the city as it stirred awake in the early morning light. 

We then proceeded into the building to tour spaces once devoted to the production of drugs, including Viagra, and discuss texts by Lewis Mumford on the emergence of commodifiable “factory time” during the Industrial Revolution, and Jonathan Crary’s 24/7: Late Capitalism and the Ends of Sleep. 

Participants talked about their sleep and work patterns, and their own exhaustion as artists, activists, and media producers coping with the expectations of an “always on” and “always plugged in” world.  The specter of the global toxico-temporal biopower regime of Pfizer, “one of the world’s premier biopharmaceutical companies,” hung heavy in our imaginations as we toured FDA clean rooms and laboratories reminiscent of recent science fiction movies like Alien.  Interestingly, these spaces are currently being converted into “incubator spaces” for food startups and catering kitchens in what is envisioned as the world’s largest hub for food startups. Thus we were experiencing not just a disused factory, but a transition in the making.

Dawn School asks participants to think about how our patterns of behavior are largely constrained and shaped by infrastructure and architecture, and how we might reuse or remake given or inherited structures and environments to be more equitable, just, and sustainable. 

Dawn School VIII was presented as part of the exhibition con•tin•u•ums (time beyond lifetimes) curated by Patrick Jaojoco. The former Pfizer factory at 630 Flushing Ave. and the gallery in which con•tin•u•ums (time beyond lifetimes) is presented are ADA accessible.

stolon, n. (botany): a creeping horizontal plant stem or runner that takes root at points along its length to form new plants.

Stolon/Station is a low-frequency radio station transmitting from inside Hunter’s Point South, a post-natural wilderness zone, which was up until late 2016, the last undeveloped parcel of land on the East River in Long Island City.

The station relayed a soundscape of the post-natural into the adjacent waterfront park, and out onto the East River.  The radio program consisted of field recordings taken inside the wilderness zone, combined with commissioned pieces from sound artists, ecologists, and urban explorers.

The station broadcast a continuous, 24-hour program over four consecutive days – August 28, 29, 30, 31 in 2015 – and intermittently thereafter, on 91.9 FM.

“According to City Councilman Peter Vallone Jr., the city does not have a complete record of where cellular antennas are in the city. In fact, they have no idea how many antennas there are in the city.” ~ Gothamist, 2010.

Fabric/Fragment of An Urban Wilderness is a sound work and an investigation of the built environment, produced by giving voice to the city’s thickly layered range of electromagnetic fields (EMFs) projected by cell phone base stations.

In 2012, I started the project, “Toward a North Brooklyn Wilderness Corridor,” to document endangered urban wilderness in Greenpoint, Brooklyn, where I have lived off and on since 2002.  “Fabric/Fragment of An Urban Wilderness,” is made up of four tracks, each corresponding to a specific site within the 1.5 square-mile neighborhood, and runs for approximately 40 minutes.

Electromagnetic fields form an invisible backdrop to our daily lives, and offer an inaudible soundtrack to our technologized selves.  Emanating from all electronic devices – from the common fluorescent fixture, to traffic signal controls, plasma screens, or the towers beaming raw data to the cell phones in our pockets – the signals are invisible, the devices are easily overlooked, but the fields themselves are everywhere.  By giving voice to their presence in public space, we might define the limits of a type infrastructure, or of the city itself.

Excerpt: